Der Doyen der klassischen Klarinette konnte für einen Workshop an der Konservatorium Wien Privatuniversität gewonnen werden. Zuerst wird Colin Lawson einen kurzen Vortrag über die klassische Klarinette halten, danach haben die Studierenden des Kons die Möglichkeit, praktischen Unterricht zu erhalten.
Colin Lawson is Director of the Royal College of Music. He read music at Oxford and was subsequently awarded an MA at Birmingham University for his work on the eighteenth-century clarinet. He taught at Aberdeen, Sheffield and London Universities before moving to Thames Valley University as Pro Vice-Chancellor (2001-5). At TVU he was Dean of an arts faculty that contained some 8,000 students, with a curriculum ranging over a wide creative and technological spectrum. Colin has an international profile as a period clarinettist and has played principal in most of Britain's leading period orchestras, notably The Hanover Band, The English Concert and the London Classical Players, with whom he has recorded extensively and toured world-wide. Described recently as 'a brilliant, absolutely world-class player' (Westdeutsche Allgemeine Zeitung) and ‘the doyen of period clarinettists’ (BBC Music Magazine), he has appeared as soloist in many international venues, including London's major concert halls and New York's Lincoln Center and Carnegie Hall. His discography comprises concertos by Fasch, Hook, Mahon, Mozart, Spohr, Telemann, Vivaldi and Weber, as well as a considerable variety of chamber music. Among his most recent recording is a highly-acclaimed disc of basset horn trios by Mozart and Stadler and a recital disc entitled ‘100 Years of the Simple-System Clarinet’. Colin has published widely, especially for Cambridge University Press. He is editor of The Cambridge Companion to the Clarinet and author of Cambridge Handbooks to Mozart’s Clarinet Concerto and Brahms’s Clarinet Quintet. He is co-editor of a series of Cambridge Handbooks to the Historical Performance of Music, for which he has co-authored an introductory volume (1999) and a book on the early clarinet (2000). He is also editor of the recent Cambridge Companion to the Orchestra (2003).